← Back to the collection

Story 10 / 18

The Ship That Wanted to Come Home

A prelude to Wreck Diver

Read

Across the Galaxy Archives

The Ship That Wanted to Come Home

A prelude to ‘Wreck Diver’

Sera Kade found the Vesper Crown on a list of unpaid salvage claims. Between burned satellites and abandoned mining ships, one line read: Omen-class freighter, missing thirty-one years, last position unknown, ownership expired. Beside it blinked a newly registered coordinate. Someone had found the ship and sold the discovery without going there. It made Sera suspicious—and made the Crown affordable.

Her company was one tug, three drones, and debt. Once she had handled major salvage with her partner Jo. Jo saw value in a wreck before scanners did; Sera saw danger. Together they were good. Then Jo entered a research vessel whose reactor had supposedly been cold a century. An automatic defence system woke. Sera heard Jo's final scream over comms and sealed the airlock to keep the radiation outside.

Since then she dived alone. No living partners, no unknown reactors, no wrecks with active power. On paper, the Vesper Crown obeyed every rule. Its reactor coils alone would clear her debts.

Old archives showed twelve crew and seven civilians aboard, including the navigator's husband, mother, and eight-year-old daughter Lio. The Crown left Thess for Meridian, changed course two days later, and vanished. Officials blamed pirates, but pirates left wreckage, demands, or cargo for sale. The Crown left nothing.

On a private forum, Sera found a post updated annually by the navigator's sister: If anyone finds the ship, do not bring back the cargo. Bring back the voices. Sera contacted her. Mara Ell was now seventy-nine, her hologram flickering, her eyes awake. Before Sera finished explaining, Mara said, ‘You mean to go.’ She sent an access code and an audio file of a child playing seven notes on a hand-cranked music box. Lio had loved it. The ship might recognize the sequence. Sera said nothing would run after thirty-one years. Mara smiled sadly. ‘I hope so.’

The coordinate lay in ionized dust beyond regular routes. Scanners saw less than a kilometre. Then the Crown appeared directly ahead: a black hull plated in ice, almost undamaged. It did not look crashed. It looked as if it were waiting.

Illustration and song cover for Wreck Diver
Transmission 10Wreck DiverIllustration from the Across the Galaxy universe

Sera circled it. No heat, transponder, or reactor activity. Yet the main antenna remained extended towards a point beyond the nebula. No dead system held alignment for three decades. Drone One lost its picture in static at the airlock. Drone Two failed in the same place. Sera should have left. Instead she put on the salvage suit. Debt was a poor reason. Mara's plea was better, but not enough. The true reason was Jo. Sera had called her avoidance caution. Perhaps it was fear with a professional name.

The old code opened the Crown's airlock. Thin, frozen atmosphere waited inside. Sera's lamp crossed a corridor of floating belongings: glove, playing cards, a cup with dried coffee. No blood. No bodies. In the dining room nineteen places were set. A music box lay on a child's seat. Sera did not touch it. Her suit detected a minute temperature variation deep in the ship.

She followed it to navigation. Numbers and sentences covered the walls in marker: DO NOT WAKE IT. IT HEARS THE ROUTE. WE ARE COMING HOME. Different hands had written and crossed over one another.

Emergency power remained in the navigation core. Sera attached a reader. Ordinary logs came first, then the deviation. In the nebula, the Crown had received seven tones interpreted as distress. The navigation system altered course. The crew overrode it; the ship changed again. The navigator physically disconnected the core. The engines still moved. The final text log said: It knows the paths because we think them.

Sera reached to disconnect. Her reader played Mara's audio file. Seven music-box notes sounded through the core. Lights came on. A child's voice asked over the speakers, ‘Aunt Mara?’ Sera identified herself and her tug. ‘We changed course,’ the voice said. ‘We're coming home.’ It was Lio's voice from the passenger data—only a triggered log, Sera told herself. Then it asked, ‘Is it far?’

Behind her, something clicked with the slow metal rhythm of magnetic boots. Sera unplugged the reader. The lights stayed on. Doors, sensors, and the main reactor woke on the plan—not fully, but enough. Before she could stop herself, she whispered, ‘Jo?’ A breath entered her comms. Jo's voice said, ‘Open the airlock.’ The same words as before Sera had chosen to leave her outside.

Sera understood. The Crown read memories from devices, suits, perhaps electrical patterns in brains. It lured with voices. The crew had diverted it away from inhabited systems. They were not lost. They had hidden themselves.

The reactor climbed. With enough energy, the Crown could transmit again. Sera began erasing the core. Physical authorization was required in engineering, along the path of the footsteps. She remembered her rules. Rules mattered until they prevented the necessary thing.

She took the music box from the dining room. When she turned the crank, the voices stopped for seven seconds—enough for one corridor, not the whole distance. She sent every log to Mara, then programmed her drones to destroy the Crown with salvage charges if needed. Coils, debts, and company ceased to matter.

At the engineering door stood a figure in an old suit. Its visor was dark. The navigator's name was printed across its chest. From its speaker came Lio's voice: ‘We only wanted to go home.’ Sera held the music box. ‘I know.’ She turned the crank and stepped past the figure into darkness.

The story becomes music

Wreck Diver

The song begins where this prelude ends.